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Viewed in the context of the other two it could seem to be a refinement of their themes, especially those of The Last American Virgin , with which it shares enough similarities that several people have mistaken Virgin for a Cannon films ripoff of Fast Times. Judge Reinhold, excellent as Brad, had a great 80s career, largely outside the teen movie cycle, but faded in the 90s and has largely been seen in TV and direct to video movies in the past decade, while Backer who last showed up in Heckerling's Vamps and Romanus are little seen these days. Fast Times is marked by a sexual frankness malleable enough to be both dramatic and funny, but it is also more respectful to its female cast than many of the teen films of this period, which were filled with completely gratuitous nudity see Tomboy for some especially ill thought out examples. She is often exploited, sometimes in ways she is complicit in. Flops can grow to outshine their initial reception many times over. The bulk of the nudity seems designed to put us inside the awkwardness of Stacy's early sexual experiences.

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Newer Post Older Post Home. Leigh comes across, in the few interviews she elects to do, as a fiercely intelligent, thoughtful and very private woman who is dedicated to her work. The fact I love this performance, why that scene works, but that's slightly missing the point. In Cameron Crowe and Amy Heckerling it established the careers of people who would make further key contributions to the genre, in its cast it gave us a generation of actors who would, ultimately, be more important and do more interesting work than many of the 'Brat Pack', who would come to prominence partly through the films of John Hughes. Fast Times is marked by a sexual frankness malleable enough to be both dramatic and funny, but it is also more respectful to its female cast than many of the teen films of this period, which were filled with completely gratuitous nudity see Tomboy for some especially ill thought out examples. Stacy pursues sex with gusto, she goes after it first with a much older and more experienced man, then with Damone, a guy her own age who gets there first largely because he's more honest about what he wants than his nervy friend Rat. One suspects, however, that these subtleties were lost on a 13 year old boy with a rented VHS and a pause button.

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Today though, for its 35th birthday, we're going to look at Fast Times. First out of the gate, on March 19th, was the blockbuster hit. While Virgin can often grind its gears during shifts between its serious and comedic sides, Crowe's screenplay smoothes the transitions in mood, doing a much better job of making the changeable tones feel cohesive. Stacy and Rat's tentative on off romance is also largely played for laughs. What is both shocking about Ebert's review and proof of Leigh's brilliance in this part and as an actress overall is that the critic has seemingly confused the actress with her role. he reviews Fast Times as though Leigh were Stacy, rather than playing a role. Spicoli pulls way ahead of the Granada, while L.

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Description: This is one of the iconic images of 80's cinema as a whole, perhaps the trigger moment for an entire generation of guys coming of age, but it is interesting beyond its titillating nature. This is a perfect scene to cut because it adds nothing and is too long and has too much dialogue. Is he gonna shit, or is he gonna kill us. Between them they all but codified the conventions of the teen sex comedy. Perhaps the most notable of these talents is future two time Oscar winner Sean Penn, playing far against the type we have come to expect of him, as perpetually stoned surfer dude Jeff Spicoli. He became a model for a whole generation of characters — you could imagine the process of creating Bill and Ted as little more than splitting Spicoli into two bodies and handing each a guitar. She has never appeared to be a naif of any kind.
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